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Unfortunately, they don't make them anymore. So a little 20-watt amp is going to sound like a 40-watt amp just by having an EV 10. So let's say that it was a 3 dB difference, which it, it is usually far more than that. You can gain anywhere from 6 to 9dB difference between an EV 10 and another ten. What does that translate to? It translates to efficiency and output. It's got thick top plates, thick bottom plates and a tremendous amount of electromotive force. Now, I mean, why an EV? Well it has a huge motor.
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In fact the Super Champ Woodies - the Super Pro Super Champs, with the limited run that we did - were all equipped with EVs as standard. And so the EV 10 was a candidate, and we put the EV 10 as an option on the Super Champ. Now when I went to Fender and I started designing the Super Champ and brought them the whole Super Champ concept, I thought to myself, regardless of the tens that were able to get ceramic magnet tens we need something that really projects a lot more volume, is reliable for multi-year-long tours that, that won't blow out so easy. So the solution to the good-sounding ten wound up being the EV 10. And the problem was, is finding a really good-sounding ten. I first started using EV 10s somewhere in the 70s when I was modifying Vibroluxes for people like Lee Ritenour and Mitch Holder, and getting a lot of inquiries of how they can change the sound of their Vibrolux, make it louder, make it more reliable, you know, putting em in Tremoluxes, and, uh, also the predecessor to the Super Champ was my own modified Champs, where I'd insert a push-pull output stage, a Princeton output transformer, some extra gain stages on a, on a Champ or Vibro-Champ chassis. Paul Rivera on the Electro-Voice EVI 10 speakers: We only built a hundred pieces of each one for the whole world. We called them the Super Pro Series, and we did the Super Champ, Princeton II, and Concert 1x12, each with an EVM speaker and a padded brown slip cover. It was a fun project, and we did succeed in doing it below the corporate radar.
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Kurz-Kasch made the knobs for us and did a perfect colour match.
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Mellotone had a run of matching grille cloth made as well. The front panels were made by Miller Dial in Champagne Beige and Choco Brown. I had some dovetailed oak plank cabinets done in Indiana by the company that made home organ cabinets for Gulbransen. I got so tired of the negative ‘You can’t do a low-volume amp’ thing that I conspired with purchasing and the factory in Hoopeston, Illinois. “ I came up with a plan in ’82 to sneak some new amps past the accounting department. We also did a hundred Super Champs and a hundred Concerts in wooden cabs, and they’re now the most sought-after amps of that era.” “ Aside from the regular model, we made a special run of a hundred Princetons in oak cabinets that we had made in an organ cabinet factory in the Midwest somewhere.
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What did Paul Rivera have to say about the on the Super Pro Series : And everything inside seems to be untouched.as to whether I make and other changes.įor those of you who don't know the facts about this amp It is exactly the same, iinside, as the normal Super Champ that Fender made between 1982 and 84, which was designed by Ed Jahns and Paul Rivera.įor more information, let me hand you over to Paul Rivera himself, in this collection of statements he made about the amp.
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The main cap-can seems to be the original from 36 years ago, so maybe I will change that. I haven't compared it to my other one yet, which is over in the practice room, but this one sounds just fine. A standard new PR '65 would have cost the same, and I would much rather this amp. So considering the scarcity of the beast, I guess it was quite a good deal - certainly one I am happy with. It wasn't exactly cheap, but I have seen many normal black tolex Super Champs on offer for the same, or even higher prices. Then I spotted this one up for offer and thought, JUMP. So I've often thought of getting a second one, but never did quite make the plunge. I'll just call this one mine.Who has the other 99 ?Īs some of you might have noticed, I'm quite fond of the Super Champ. The Deluxe Woodie Super Pro Series Brownface Super Champ Reverb. Sometimes falsely referred to as the Deluxe Super Champ (adding a fourth fender model name (.so why leave out Reverb ?)) With the brown knobs and face-plate, and the solid oak cab, why not call it